![]() Whether you use SmoothCam or InertiaCam, taking the time to smooth things out will make your footage more cinematic. Overall, FCPX’s stabilization feature is an extremely powerful tool that’s capable of creating exceptional results. So, a s you work through your footage, always be checking the straight lines and corners in your clips to ensure there’s no warping or “dancing.” These are dead giveaways that a stabilizer has been used. If you’re going to use this effect, it’s important to know that a simple “drag and drop” usually will not yield the results you’re hoping for even a little time spent refining will lead to better results.Īnd, obviously, “better results” is the goal - you don’t want to distract your audience with visual evidence of image stabilization. If it is, the checkbox will marked.įor today’s example, we’re utilizing the standard InertiaCam effect to stabilize our footage. ![]() Once FCPX analyzes your footage, it will determine if Tripod Mode is applicable. It does exactly what it implies - makes a handheld shot appear as if it were locked off on a tripod. So what is the easiest workflow with FCPX You might be surprised to find out that an old app resurfaces. One interesting InertiaCam feature that’s worth noting: Tripod Mode. Timelapse image workflows in Final Cut Pro X Written by Peter Wiggins Published: 02 April 2013 Category: FCP Tutorials Evergreen Blog Reading time: 00:46 Steve Martin has been out shooting timelapse sequences in San Francisco. InertiaCam is FCPX’s latest stabilization technique, optimized to work with footage that has pans, zooms, and tilts. It takes an X, Y, Z-axis approach to image stabilization, working within 3D space - Translation, Rotation, and Scale, illustrated above - to maximize your results. SmoothCam is the original stabilization feature within FCPX. If you choose Automatic, FCPX will decide which of the two stabilization features will work best for your footage. AutomaticĪlthough it appears that Automatic (highlighted blue on the right side of the image above) is a stabilization technique, it’s really not - ultimately, you have two options: SmoothCam and InertiaCam. Okay, let’s look at the stabilization options available in FCPX. If your camera has a built-in stabilization feature, use that too. ![]() Miss something? Go through the steps at your own pace with the video transcript below.īefore we dive in, remember: The more stable your footage is straight out of camera, the better the results you’ll get from FCPX. Let’s explore the differences between SmoothCam and InertiaCam to find the best way to get the smoothest footage possible. In this video tutorial, we’ll walk through the fastest, easiest steps you can take to stabilize clips in FCPX. For this example I leave the location as Source so the video clip will be put in the same folder or root of the drive as the images.Are your clips giving you motion sickness? Stabilizing shaky footage is a breeze in Final Cut Pro X. Don’t add the images, simply select the folder and click “ADD.” Add Image Sequenceįrom the BUILT-IN Settings options I drag Apple ProRes 422 onto the job. At the bottom click on the “plus down arrow” and select “Add Image Sequence” then navigate to the folder with your freshly renamed images. Open Compressor, on the left side click “show Settings and Locations” and also open the Inspector on the upper right side. ![]() The “Where” drop down leave as “after name” and the “Start numbers at” box as 1.Ĭlick Rename and now you have all the images neatly sequentially numbered. I used the word “cedars” followed by a dash. Pick “Format” from the drop down list, and under “Name Format” select “Name and Index”. I make sure the folder view is sorted by Date Modified then I Right Click the mouse and select “Rename 452 items”. I connect the camera to my iMac with a USB cable and copy and paste (or drag and drop) all the images into a folder. The way around this is to rename all the clips first. FCPX Training Series - In this Apple Final Cut Pro 10 HD Voice Tutorial we will take a look at the vignette effect. The images are not sequentially numbered so Compressor does not see them as a sequence and will only import the first image. Final Cut Pro X Effects Tutorial: Vignetting. One snag I ran into when I first tried to do this arose from the image naming convention SJCAM uses in their cameras. FCPX slows down with so many images in the timelineĪnd, Compressor gives my more options as well. You can also import all the stills directly into Final Cut and create the clip that way but, all those images can slow things down and clutter up the Event Folder so, I prefer the Compressor route for this. And I use Apple Compressor to convert these stills into a video clip I can then edit. I edit with Final Cut Pro Ten on an iMac. I use an external battery for longer recording sequences. In that time the camera took 452 photos totalling about 1 gigabyte. I set the camera on a small tripod in my back field and shot at 5 second intervals for about half an hour.
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